Tracktion Software Collective v1.1.3 MacOSX

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P2P | 30 May 2018 | VST MacOSX x64 | 2.22GB

Collective is a powerful sampler and synthesizer capable of generating a wide variety of instrument sounds. Developed to accompany the new music composition tools, Collective allows you to immediately start creating diverse musical styles. Quickly select from over 600 presets and deep dive to surgically craft your unique sound. Pull from the included sample library or load your own, combine with synthesis or cherish the supreme quality of traditional samples. One instrument to rule them all.

Collective Sample Synthesizer
Extensive sound library with over 600 sounds
Up to 256 voices (depends on CPU speed)
More than 4000 Sound layers per Instrument (typically between 1 and 12)
Macro controls for quick and easy instrument editing
Controller support for pitch bend, modulation wheel, monophonic and polyphonic aftertouch, sustain and sostenuto pedal, expression pedal
Full host parameter automation

Per Sound
Unison with up to 16 voices and freely transposable unison notes
Powerful Arpeggiator with MIDI File import
Internal tempo or sychronization to host
Powerful note trigger modes for sophisticated layer sounds

Per Voice
4 Oscillators
High-quality sample playback
Classic virtual-analog waveforms like saw, triangle and pulse with pulse-width modulation
Sine waveform with continuous waveshaping turning it into square, saw, triangle or other waveforms
In-oscillator sync
Ring modulation of oscillator 1 and 2
4-Operator FM with all waveforms or samples

2 Filters
Filters are in series with an interconnected distortion stage
Low- and highpass filter types with 6, 12 and 24dB slope
Bandpass and notch filter types with 12 and 24dB slope
High-quality tunable comb filter with positive and negative feedback (can be used for polyphonic chorus or flanger or to create physical modelling sounds)
Various distortion types including soft, medium, hard and tube overdrive and hard clipping

Equalizer
4 bands fully parametric
Low and high band types shelf, bell or cut

4 LFOs
Classic LFO waveforms triangle, sine, saw up/down, pulse, sample&hold, random
Waveform skewing
Sychronizable to host
LFOs prerouted to sound-generating modules, i.e. pitch, pulse width, cutoff, volume and panning

4 Envelopes
Up to 32 stages with variable slope
Sustain and release loop
Envelopes prerouted to sound-generating modules, i.e. pitch, osc 2 + 4 level, cutoff and volume

4 Effect busses
Each effect bus can be set to any effect type
Effect types Compressor, Distortion, Filter, Chorus/Flanger, Phaser, Time/Clock Delay, Natural/Plate/Nonlinear Reverb
Full parameter set for each effect type

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